CINEMETRICS BIBLIOGRAPHY
Adams B., Dorai C. and Venkatesh S. (2000) Towards automatic extraction of expressive elements from motion pictures: Tempo.
In IEEE International Conference on Multimedia and Expo, 2000, Vol. II, 641–645.
Adams, B., Dorai, C. and Venkatesh, S. (2002) Formulating film tempo: the computational media aesthetics methodology in practice.
In C Dorai and S Venkatesh (eds.) Media Computing: Computational Media Aesthetics. Norwell, MA: Kluwer Academic Publishers, 57-84.
Adams B., Venkatesh S., Bui H.H. and Dorai C. (2007) A probabilistic framework for extracting narrative act boundaries and semantics in motion
pictures, Multimedia Tools and Applications 27, 195–213,
Baxter M. (2012a) Film statistics: some observations,
http://www.cinemetrics.lv/dev/on_statistics.php
Baxter M. (2012b) Film statistics: further observations
http://www.cinemetrics.lv/dev/on_statistics.php
Baxter M. (2012c) Picturing the pictures: Hitchcock, statistics and Film.
Significance 9, 5-9.
Baxter M. (2013a) Lines, damned lines and statistics.
http://www.cinemetrics.lv/dev/on_statistics.php
Baxter M. (2013b) Comparing cutting patterns – a working paper
http://www.cinemetrics.lv/dev/on_statistics.php
Baxter M. (2013c): On the distributional regularity of shot lengths in film. Literary and Linguistic Computing, doi:10.1093/llc/fqt041
Buckland W. (2008) What does the statistical style analysis of film involve? A review of ‘Moving Into Pictures. More on Film History, Style,
and Analysis’. Literary and Linguistic Computing 23, 219-230.
Buckland W. (2009) Ghost director. In Digital Tools in Media Studies, M. Ross, M. Grauer and B. Freisleben (eds.), transcript Verlag,
Bielefeld, Germany, 133-144.
Cutting J.E., DeLong J.E. and Nothelfer C.E. (2010) Attention and the evolution of Hollywood film.
Psychological Science 21, 440-447.
Cutting J.E., Brunik K.L. and DeLong J.E., (2011a) The changing poetics of the dissolve in Hollywood film.
Empirical Studies of the Arts 29, 149-169.
Cutting J.E., Brunik K.L. and DeLong J.E., (2011b) How act structure sculpts shot lengths and shot transitions in Hollywood film.
Projections 5, 1-16.
Cutting J.E., Brunik K.L. and DeLong J.E., (2012) On shot lengths and film acts: A revised view.
Projections 6, 142-145.
Cutting J.E., Brunik K.L., DeLong J.E., Iricinschi C. and Candan A, (2011) Quicker, faster, darker: Changes in Hollywood film over 75 years.
i-Perception 2, 569-576.
Cutting J.E., DeLong J.E. and Brunik K.L. (2011) Visual activity in Hollywood film: 1935 to 2005 and beyond
Psychology of Aesthetics, Creativity, and the Arts 5, 115-125.
Cutting, J. E. and Candan, A. (2013). Movies, evolution, and mind: From fragmentation to continuity.
The Evolutionary Review 4, 25-35.
Cutting, J.E., Iricinschi C. and Brunick, K.L. (2013) Mapping Narrative Space in Hollywood Film.
Projections 7, 64-91.
DeLong J.E., Brunik K.L. and Cutting J.E. (2012) Film through the human visual system: finding patterns and limits.
In The Social Science of Cinema, J.C. Kaufman and D.K. Simonton (eds.), Oxford University Press, New York, in press.
DeLong, J.E. (2013) Horseshoes, handgrenades, and model fitting: the lognormal distribution is a pretty good model for shot-length distribution of Hollywood films. Literary and Linguistic Computing, doi:10.1093/llc/fqt030
Grzybek, P. and Koch, V. (2012) Shot length: random or rigid, choice or chance? An analysis of Lev Kuleov’s Po zakonu [By the Law].
In Sign Culture. Zeichen Kultur, E.W.B. Hess-L¨uttich, ed., K¨onigshausen & Neumann: W¨urzburg, 169-188.
Han X,, Small S.D., Foster D.P. and Patel V. (2011) The effect of winning an Oscar award on survival: correcting for healthy performer survivor bias with a rank preserving structural accelerated failure time model.
The Annals of Applied Statistics 5, 746–772.
Manovich, L. (2013) Visualizing Vertov.
http://softwarestudies.com/cultural_analytics/Manovich.Visualizing_Vertov.2013.pdf
Murtagh F., Ganz A. and McKie S, (2009) The structure of narrative: the case of film scripts.
Pattern Recognition 42, 302-312.
O'Brien, C. (2005) Cinema's Conversion to Sound. Bloomington, IN: Indiana University Press.
Redfern N. (2009) Shot length distributions in the Chaplin Keystones,
http://nickredfern.files.wordpress.com/2009/09/nick-redfern-shot-length-distributions-in-the-chaplin-keystones1.pdf
Redfern N. (2010) Shot length distributions in the early films of Charles Chaplin,
http://nickredfern.files.wordpress.com/2010/04/nick-redfern-shot-length-distributions-in-the-early-films-of-charles-chaplin.pdf
Redfern N. (2010) Shot length distributions in the films of Alfred Hitchcock, 1927 to 1931.
http://nickredfern.files.wordpress.com/2010/05/nick-redfern-shot-length-distributions-in-the-films-of-alfred-hitchcock-1927-to-1931.pdf
Redfern N. (2010) Robust measures of scale for shot length distributions.
http://nickredfern.files.wordpress.com/2010/07/nick-redfern-robust-measures-of-scale-for-shot-length-distributions.pdf
Redfern N. (2010) Shot length distributions in the short films of Laurel and Hardy, 1927 to 1933,
http://nickredfern.files.wordpress.com/2010/10/nick-redfern-shot-length-distributions-in-the-short-films-of-laurel-and-hardy.pdf
Redfern N. (2010) Statistical analysis of shot types in the films of Alfred Hitchcock.
http://nickredfern.files.wordpress.com/2010/11/nick-redfern-statistical-analysis-of-shot-types-in-the-films-of-alfred-hitchcock.pdf
Redfern N. (2011a) Time series analysis of BBC News bulletins using running Mann-Whitney Z statistics,
http://nickredfern.files.wordpress.com/2011/07/nick-redfern-time-series-analysis-of-bbc-news-bulletins1.pdf
Redfern N. (2011b) Time series analysis of ITV news bulletins,
http://nickredfern.files.wordpress.com/2011/11/nick-redfern-time-series-analysis-of-itv-news-bulletins.pdf
Redfern N. (2012a) The lognormal distribution is not an appropriate parametric model for shot length distributions of Hollywood films,
Literary and Linguistic Computing, doi:10.1093/llc/fqs066
http://nickredfern.files.wordpress.com/2012/02/nick-redfern-the-lognormal-distribution-and-hollywood-cinema.pdf
Redfern N. (2012b) The impact of sound technology on the distribution of shot lengths in Hollywood films, 1920-1933.
CINEJ Cinema Journal 2.1, DOI 10.5195/cinej.2012.50 http://cinej.pitt.edu/ojs/index.php/cinej/article/view/50/195
Redfern N. (2012c) Exploratory data analysis and film form: The editing structure of slasher films,
http://nickredfern.files.wordpress.com/2012/05/nick-redfern-the-editing-structure-of-slasher-films.pdf
Redfern, N. (2012d) Robust time series analysis of ITV news bulletins.
http://nickredfern.files.wordpress.com/2012/04/nick-redfern-robust-time-series-analysis-of-itv-news-bulletins.pdf
Redfern, N. (2012e) The average shot length as a statistic of film style,
http://www.cinemetrics.lv/dev/on_statistics.php
Redfern, N. (2012f) Robust estimation of the modified autoregressive index for high grossing films at the US box office, 1935-2005
http://nickredfern.files.wordpress.com/2012/11/nick-redfern-the-mar-index-for-hollywood-films1.pdf
Redfern, N. (2012g) Correspondence analysis of genre preferences in UK film audiences. Participations 9, 45-55.
Redfern N. (2013a) An introduction to using graphical displays for analyzing the editing structure of motion pictures.
http://www.cinemetrics.lv/dev/on_statistics.php
Redfern N. (2013b) Time series clustering and the analysis of film style.
\\http://www.cinemetrics.lv/dev/on\_statistics.php
Redfern N. (2013c) Film style and narration in \emph{Rashomon}.
\\http://nickredfern.files.wordpress.com/2013/03/nick-redfern-film-style-and-narration-in-rashomon.pdf
Salt B, (1974) Statistical style analysis of motion pictures.
Film Quarterly 28, 13-22.
Salt B, (1976) Film style and technology in the thirties.
Film Quarterly 30, 19-32.
Salt B, (1977) Film style and technology in the forties.
Film Quarterly 31, 46-57.
Salt, B. (1996) Early German film: the stylistics in comparative context. In A Second Life: German Cinema's First Decades,
T. Elsaesser (ed.), Amsterdam University Press, Amsterdam, 225-236.
Salt B. (2004) The shape of 1999: the stylistics of American movies at the end of the century.
New Review of Film and Television Studies 2, 61-85.
Salt B. (2006) Moving Into Pictures. Starword, London,.
Salt B. (2009) Film Style & Technology: History & Analysis, 3rd edition, Starword, London,.
Salt B. (2009b) The shape of 1959.
New Review of Film and Television Studies 7, 393-409.
Salt, B. (2010) Speeding up and slowing down,
http://www.cinemetrics.lv/salt_speeding_up_down.php
Salt, B. (2011): The metrics in cinemetrics,
http://www.cinemetrics.lv/metrics_in_cinemetrics.php
Salt B. (2012) Graphs and numbers
http://www.cinemetrics.lv/dev/on_statistics.php
Salt B. (2013) Lines and Graphs.
http://www.cinemetrics.lv/dev/on_statistics.php
Schaefer, R.J. and Martinez T. (2009) Trends in network news editing strategies from 1969 through 2005.
Journal of Broadcasting and Electronic Media 53, 347-364.
Tsivian, Y. (2005) Editing in Intolerance.
In The Griffith Project, Volume 9 (1916-18) P. Cherchi Usai (ed.), London: BFI Publishing, 52-57.
Tsivian Y. (2009 ) Cinemetrics, part of the humanities' cyberstructure. In Digital Tools in Media Studies: Analysis and Research: an Overview, B. Freisleben, J. Garncarz and M. Grauer (eds.), Transcript Verlag, Bielefeld, 93-100.
Vasconselos N. and Lippman A. (2000) Statistical models of video structure for content analysis and characterization.
IEEE Transactions on Image Processing 9, 3-19.
You are viewing the text version of this site.
To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.
Need help? check the requirements page.